In minor keys, the plagal cadence uses which roman-numeral order?

Study for the MTTC Music Education Test. Use interactive flashcards and detailed multiple-choice questions with hints and explanations. Prepare effectively and get ready for success!

Multiple Choice

In minor keys, the plagal cadence uses which roman-numeral order?

Explanation:
In minor keys, a plagal cadence is built from the subdominant to the tonic, both in minor: iv moving to i. The fourth-scale-degree chord in natural minor is a minor triad (iv), and resolving to the tonic minor (i) gives that gentler, amen-like close characteristic of a plagal cadence in minor. For example, in A minor, iv is D minor (D–F–A) and i is A minor (A–C–E); a smooth voice-leading move D→C and F→E while A stays as a common tone creates a cohesive IV–I feel in minor. Using a major IV instead of iv would clash with the minor mode, and other progressions (like III–iv or ii°–I) don’t produce the standard plagal cadence in minor.

In minor keys, a plagal cadence is built from the subdominant to the tonic, both in minor: iv moving to i. The fourth-scale-degree chord in natural minor is a minor triad (iv), and resolving to the tonic minor (i) gives that gentler, amen-like close characteristic of a plagal cadence in minor. For example, in A minor, iv is D minor (D–F–A) and i is A minor (A–C–E); a smooth voice-leading move D→C and F→E while A stays as a common tone creates a cohesive IV–I feel in minor. Using a major IV instead of iv would clash with the minor mode, and other progressions (like III–iv or ii°–I) don’t produce the standard plagal cadence in minor.

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