Which composer is associated with modulating from C major to E major in the provided material?

• A. Bach
• B. Beethoven
• C. Chopin
• D. Liszt

Answer: (B)

This question looks at a chromatic mediant modulation—moving from C major to E major, a distant key relationship, which creates a fresh, dramatic shift in tonal color. The way this move is treated in the material aligns with Beethoven’s tendency to drive music forward with bold, abrupt key changes rather than lingering in closely related keys. From C major to E major, you get a strong contrast in tonal center and sonority, often accomplished with a pivot that can use common tones like E and B to smooth the move while still sounding decisive. That kind of fearless modulation—shifting by a major third to a new key center for dramatic effect—is a hallmark of Beethoven’s harmonic approach in many late-classical/early-romantic contexts. While other composers may explore colorful modulations, the specific character of this shift fits Beethoven’s style best.